Classical Music Notation Versus Guitar Tablature - Which System Is Best For Learning Blues Guitar?
In the 60s, Stephan Grossman amongst others devised a form of musical notation for guitar that was special to those times. Most of the original blues musicians were dead and gone by this time, but a noteworthy few were still around, such as Son House, Mississippi John Hurt, Lightnin' Hopkins and Reverend Gary Davis. It was Grossman's meeting with the singing reverend that was the spark that started the quest for old style blues and ragtime guitar. Many young men in those years yearned to learn and play the real blues in the authentic style, just like the blues masters. Blues guitar tabs were the backbone of this study.
Blues songs have a traditional root, and many different songs have evolved using an original piece. Listen to Robert Johnson's 'Sweet Home Chicago', as one example. This was originally named 'Kokomo Blues' and was written by Scrapper Blackwell. In addition to numerous permutations around a theme, new pieces were produced in various regional picking styles. Within those regional styles we can also see considerable differences between guitarists, so producing a great variety of blues guitar picking.
Of course, in the past, blues men would steal each others songs and also altered traditional music to their own individual style which added to the richness of this music. How could this material be written down in a manner that future generations can teach themselves to play in the same style? We have the sound recordings, but there's that it's not enough.
Traditionally, musical notation was about the same for all instruments, and featured a stave, notes and an indication of timing. If we decide to stick with this recognized musical notation, the we must learn how to understand it - this is not particularly easy! Really, the only thing we need to do is to know where the fingers of each hand should go. If we had some way we could read this, and listen to the original music, it would represent an enormous shortcut to learning the old picking techniques. In fact, Stephan devised a form of musical notation known as 'tablature', which speeds up up the learning process.
The guitar strings are represented by six lines, and a number may be noted on one of the lines. This means that the string should be picked on the fret indicated by the number. A line extending upwards from the number indicates that we should pick with a finger , and a line extending downwards indicates a thumb stroke. The chords may also be shown over the blues tablature as well. Other symbols are also used, which help in defining the timing, slide or kind of stroke.
The system is quick to use and really easy to understand. Although it can seem a bit awkward at first, most people are reading it within a few of weeks.
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